An humourous oratoria based on Monty Python's Life of Brian

 Late shows exclusive to Luna Leederville  every  Saturday night: 11.15pm from Aug 14

Written, directed and starring Tommy Wiseau, The Room (M) is like no other film you’ve seen. Johnny (Tommy Wiseau) seems to have it all; a beautiful fiancée, Lisa, great friends and a job with a promotion in the works. But Lisa, (Juliette Danielle) isn’t who she seems. Manipulative and restless, Lisa sets her sights on Johnny’s best friend Mark (Greg Sestero) and they start a torrid affair and Johnny’s perfect world starts to crumble.

Featured on Adult Swim’s Tim and Eric, Awesome Show, Great Job! and beloved by comic actors and identities such as Kevin Smith, Paul Rudd, Frank Black, Jonah Hill and Alec Baldwin, The Room has garnered a massive cult following, selling out sessions across the US, leaving audiences stunned and wondering “how can so bad, be so good?”

Tommy Wiseau’s The Room, made only $3,000 at the box office in its 2003 release, before sinking without a trace.

A group of curious hipsters tracked it down after noticing an LA billboard Wiseau had booked, and started a series of midnight screenings, in which the audience joined in, Rocky Horror Picture Show style -  dressing up, talking back to the screen and throwing spoons and footballs. The film has since developed a cult following not unlike that for Plan 9 from Outer Space, including fans like celebrity comedian David Cross and Tim & Eric of Tim & Eric Awesome Show, Great Job!, who invited Wiseau to appear in one of their episodes.

Faced with crowds laughing at his masterpiece, a lesser man might have lost faith, but Wiseau has happily re-badged The Room as a 'black comedy', even rocking up for the screenings- his energetic participation at post-film Q&As is the stuff of legend.  The overrated hype of some cult classics often border on overkill, but The Room's place in the pantheon of ‘So Bad, It's Horrifically Awful Good’ is hard to deny. No matter how bad something in life may be, it could never possibly be as bad as this.

“There’s not one redeeming feature about this movie. It’s awful.” -filmforthesoul.blogspot.com

"What makes viewing The Room attractive is the chance for Perth audiences to gleefully ignore cinema etiquette while attending the weekly late-night screenings. Patrons are encouraged to make witty interjections, heckle, holler and  hurl projectiles (plastic spoons) at the screen. It's the good-natured, interactive viewing experience that ensures, quite miraculously, that this deliriously incompetent piece of film-making winds up providing five-star entertainment." Gavin Bond, Sunday Times Entertainment (Perth)

Matching Jack is a powerful emotional drama from award winning director Nadia Tass, about the unbreakable bond between parent and child.
At the same time Marisa Hagen (Jacinda Barrett) discovers that her child (Tom Russell) is seriously ill, she also finds out that her husband (Richard Roxburgh) has been unfaithful for years.
Marisa goes on a bizarre search in an attempt to turn her husband’s serial affairs into a positive – an illegitimate child could save her son’s life.
A chance encounter with another parent, Connor (James Nesbitt) & his son Finn (Kodi Smit-McPhee), leads them on an unpredictable journey of love and hope.

Special Talking Pictures  Q&A Screening Event with award winning director Nadia Tass Sunday 3.00pm at the Windsor Cinema in Nedlands.

Nadia Tass (Malcolm, Amy, The Big  Steal, Mr Reliable, Pure Luck)  one of Australia's most respected and unique filmmakers is coming specifically to the Windsor, Perth for this extra special Q&A session! Nadia will introduce and then invite the audience to ask questions  about her latest drama following the 3.00pm session. The Q&A will be hotsed by PAC director, Annie Murtagh-Monks.

Tickets $15.50 | $11.00 conc. Now on sale and online

The year is 1984, and on the rural East Coast of New Zealand "Thriller" is changing kids' lives. Boy (James Rolleston) is a dreamer who loves Michael Jackson. He lives with his brother Rocky (Te Aho Aho Eketone-Whitu), a tribe of deserted cousins and his Nan (Mavis Paenga).

Boy's other hero, his father, Alamein (Taika Waititi), is the subject of Boy's fantasies, and he imagines him as a deep sea diver, war hero and a close relation of Michael Jackson (he can even dance like him). In reality he's "in the can for robbery".

When Alamein returns home after 7 years away, Boy is forced to confront the man he thought he remembered, find his own potential and learn to get along without the hero he had been hoping for.

Winner of the Audience Award for Fiction Feature Film at the 2010 Sydney Film Festival